
THE POET LI PO A.D. 701-762
A scholarly lecture from 1918 opens this concise study, inviting listeners into the centuries‑old debate over Li Po’s place in Chinese poetry. The speaker outlines how, since the Middle Ages, Li Po has been hailed as China’s greatest poet, while his contemporary Tu Fu is often praised for moral depth. By quoting critics from the Tang, Song and later periods, the discussion reveals how each poet’s style—Li Po’s spontaneous, wine‑filled verses versus Tu Fu’s structured, reflective lines—has fueled lively literary rivalry.
The essay then turns to the practical challenges of bringing Li Po’s work to modern readers. It highlights the poet’s penchant for vivid, sometimes repetitive imagery and his narrow thematic focus on wine and women, which has both enchanted and frustrated translators. Listeners will gain a nuanced appreciation of why Li Po’s brilliance endures despite these flaws, and how his exuberant voice continues to inspire across cultures.
Language
en
Duration
~49 minutes (47K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Henry Flower and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
Release date
Jul 21, 2013
Rights
Public domain in the USA.
Subjects

1889–1966
A brilliant bridge between East and West, he opened Chinese and Japanese literature to generations of English-language readers through translations that were both graceful and deeply influential.
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701–762
A legend of Tang poetry, he wrote with dazzling freedom about moonlight, mountains, friendship, exile, and wine. His poems can feel spontaneous and dreamlike, yet they have shaped Chinese literature for centuries.
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