The Nō Plays of Japan

audiobook

The Nō Plays of Japan

by Arthur Waley

EN·~5 hours·17 chapters

Chapters

17 total
1

The cover image was produced by the transcriber using an illustration from the book, and is placed in the public domain.

0:09
2

TRANSLATIONS BY ARTHUR WALEY - A Hundred and Seventy Chinese Poems

0:36
3

THE NŌ PLAYS OF JAPAN

0:47
4

ILLUSTRATIONS

1:50
5

INTRODUCTION

32:36
6

ATSUMORI, IKUTA, AND TSUNEMASA.

24:45
7

CHAPTER II

33:12
8

CHAPTER III

42:09
9

CHAPTER IV

29:41
10

CHAPTER V

33:04

Description

Stepping into the world of Nō, this volume brings thirteen classic Japanese stage dramas to English‑speaking ears. The translator works to keep the subtle poetry and ritualized movements that define the art form, letting listeners hear the spare, haunting language that has moved audiences for centuries. Each play opens with a mythic or historical figure and builds a layered story that balances the supernatural with human longing.

The accompanying introduction explains how Nō differs from Western realism, emphasizing stylized gestures and music as integral to the narrative. Detailed stage diagrams and footnotes help the listener visualize the minimalist sets, the distinctive pillars, and the chant‑like vocal delivery that give the performances their unique texture. Together, the translations and scholarly notes offer a clear doorway into a theatre tradition that continues to inspire modern creators.

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Details

Language

en

Duration

~5 hours (290K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Henry Flower and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries and HathiTrust)

Release date

2013-07-26

Rights

Public domain in the USA.

About the author

Arthur Waley

Arthur Waley

1889–1966

Best known for bringing classic Chinese and Japanese literature into clear, living English, this influential translator helped open a new world of poetry and storytelling to Western readers. His versions were admired not just for their scholarship, but for their grace and readability.

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