
THE PLEASURES OF ENGLAND. - Lectures given in Oxford. - BY - JOHN RUSKIN, D.C.L., LL.D., - HONORARY STUDENT OF CHRIST CHURCH, AND HONORARY FELLOW OF CORPUS-CHRISTI COLLEGE. - DURING HIS - SECOND TENURE OF THE SLADE PROFESSORSHIP. - NEW YORK: JOHN WILEY AND SONS. 1888.
LECTURE I. - THE PLEASURES OF LEARNING. - Bertha to Osburga.
LECTURE II. - THE PLEASURES OF FAITH. - Alfred to the Confessor.
LECTURE III. - THE PLEASURES OF DEED. - Alfred to Cœur de Lion.
LECTURE IV. - (Nov. 8, 1884.) - THE PLEASURES OF FANCY. - Cœur de Lion to Elizabeth - (1189 to 1558).
NOTES.
FOOTNOTES.
In this engaging collection of lectures delivered at Oxford, a seasoned scholar guides listeners through the rich tapestry of English artistic and intellectual life. He begins by examining how the pleasures of learning intertwine with the nation’s cultural achievements, inviting the audience to assess both past triumphs and present challenges. The opening talks set a thoughtful tone, encouraging listeners to consider what responsibilities scholars and appreciators of art might bear today.
From there, the speaker turns to a sweeping vision of England’s future, questioning how the nation might balance its historic honor with the rapid advances of science and technology. He challenges young citizens to decide whether England will become a beacon of learning, a guardian of timeless principles, or fall prey to fleeting desires. The early sections spark reflection on identity, duty, and the possibilities that lie ahead, making the lectures a compelling invitation to think critically about the country’s path.
Full title
The Pleasures of England Lectures given in Oxford Lectures given in Oxford
Language
en
Duration
~2 hours (163K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Juliet Sutherland, William Flis, and Distributed Proofreaders Europe, http://dp.rastko.net
Release date
2005-05-30
Rights
Public domain in the USA.
Subjects

1819–1900
A brilliant Victorian critic who wrote about art, architecture, nature, and society with unusual energy and clarity. His books helped shape how generations of readers looked at beauty, work, and the moral purpose of art.
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