The Mirror of Literature, Amusement, and Instruction. Volume 20, No. 573, October 27, 1832

audiobook

The Mirror of Literature, Amusement, and Instruction. Volume 20, No. 573, October 27, 1832

by Various Authors

EN·~1 hours·10 chapters

Chapters

10 total
1

THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION.

0:07
2

OLD HALL, IN DERBYSHIRE.

13:21
3

MANNERS AND CUSTOMS.

6:59
4

ANECDOTE GALLERY.

8:24
5

THE NATURALIST.

3:15
6

NOTES OF A READER.

10:50
7

NEW BOOKS.

21:21
8

THE PUBLIC JOURNALS.

5:11
9

RETROSPECTIVE GLEANINGS.

2:40
10

THE GATHERER.

12:49

Description

Step into a richly detailed portrait of an ancient Derbyshire manor, its stone walls and timber frames captured in vivid description. The narrative guides listeners through the estate’s setting near Sheffield, weaving tales of the Blythe family’s ecclesiastical prominence and the hall’s suspected origins in the reigns of Henry VII or the early Tudors. As the guide surveys the building’s layout, it reveals how early English homes blended clay, wood, and later stone, creating a distinctive silhouette that still echoes across the landscape.

Interlaced with scholarly notes from historians such as Mr. Rhodes and Hallam, the account examines the evolution of construction techniques—from Saxon timber frames sheathed in plaster to the emergence of brickwork in the fifteenth century. Listeners will hear vivid comparisons of medieval hall designs, the shifting use of stone in western counties, and the practical reasons behind each architectural change. The episode balances technical insight with a storyteller’s eye, making the rise of England’s domestic architecture feel both accessible and compelling.

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Details

Language

en

Duration

~1 hours (81K characters)

Publisher of text edition

Project Gutenberg

Release date

2004-04-01

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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