The Mirror of Literature, Amusement, and Instruction. Volume 17, No. 486, April 23, 1831

audiobook

The Mirror of Literature, Amusement, and Instruction. Volume 17, No. 486, April 23, 1831

by Various Authors

EN·~1 hours·10 chapters

Chapters

10 total
1

THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION.

0:14
2

WINDSOR CASTLE. - GEORGE THE FOURTH’S GATEWAY, FROM THE INTERIOR OF THE QUADRANGLE.

13:27
3

ORIGIN OF THE WORD BRITANNIA. - (To the Editor.)

2:35
4

POLAND. - (For the Mirror.)

4:10
5

FINE ARTS.

7:40
6

THE SELECTOR; AND LITERARY NOTICES OF NEW WORKS.

14:59
7

THE COSMOPOLITE.

10:19
8

OLD POETS

4:11
9

SPIRIT OF THE PUBLIC JOURNALS.

10:21
10

THE GATHERER.

8:12

Description

Step into a vivid slice of early‑19th‑century England as this episode explores a richly illustrated article from a popular literary and cultural magazine of the day. The piece opens with a striking engraving of Windsor Castle’s newly rebuilt gateway, then guides the listener through the king’s decision to open the palace grounds to the public, the shift from solemn solitude to lively domestic comfort, and the growing affection between the sovereign and his people.

Beyond the social commentary, the narrative offers a meticulous tour of the castle’s architecture: the juxtaposition of the ancient York Tower with the freshly constructed Lancaster Tower, the lofty machicolated battlements, and the sweeping Long Walk that frames the view from St. George’s Hall. Listeners will hear lively descriptions of the restored windows, carved ceilings, and the glittering shields of the Order of the Garter, all rendered in a tone that balances scholarly detail with the charm of a period travelogue.

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Details

Language

en

Duration

~1 hours (73K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Jonathan Ingram, Barbara Tozier and PG Distributed Proofreaders

Release date

2004-07-20

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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