The Mirror of Literature, Amusement, and Instruction. Volume 17, No. 479, March 5, 1831

audiobook

The Mirror of Literature, Amusement, and Instruction. Volume 17, No. 479, March 5, 1831

by Various Authors

EN·~1 hours·8 chapters

Chapters

8 total
1

THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION.

0:13
2

ANCIENT PALACE OF HOLYROOD, AT EDINBURGH.

4:29
3

RETROSPECTIVE GLEANINGS.

10:41
4

THE SELECTOR; AND LITERARY NOTICES OF NEW WORKS.

15:53
5

COWLEY'S HOUSE, AT CHERTSEY.

3:04
6

SPIRIT OF THE PUBLIC JOURNALS.

13:31
7

NOTES OF A READER.

18:52
8

THE GATHERER.

6:18

Description

The listener is invited into a richly detailed portrait of Edinburgh’s Holyrood Palace, where centuries of royal drama are layered atop ancient stone. From the twelfth‑century abbey founded by David I to the Jacobite‑era galleries of imagined Scottish kings, the narrative weaves fact and folklore, noting fires, renovations, and the occasional unexpected guest—from French monarchs to debtors seeking sanctuary. Along the way, architectural quirks such as the double‑towered quadrangle and the surviving north‑west towers are described with the kind of vivid specificity that makes history feel tangible.

Interspersed between the historical account is a haunting poem that captures the lingering echo of a distant battlefield, its verses turning swords into lanterns that flicker in the weary souls of the fallen. The collection then shifts to a topographical note on Holborn, tracing the district’s name to an old stream and sketching its growth from a modest village to a bustling London thoroughfare. Together, these pieces form a mosaic of place and memory, giving listeners a compact yet immersive glimpse into the layers of history that shape our built environment.

Collections

Browse all

Details

Language

en

Duration

~1 hours (70K characters)

Publisher of text edition

Project Gutenberg

Release date

2004-11-11

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

View all books

You may also like