The Mirror of Literature, Amusement, and Instruction. Volume 12, No. 336, October 18, 1828

audiobook

The Mirror of Literature, Amusement, and Instruction. Volume 12, No. 336, October 18, 1828

by Various Authors

EN·~1 hours·9 chapters

Chapters

9 total
1

THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION.

0:07
2

Richmond Palace

17:29
3

THE ANECDOTE GALLERY.

14:49
4

Pagoda in Kew Gardens.

1:49
5

FINE ARTS

12:28
6

RETROSPECTIVE GLEANINGS

5:02
7

SPIRIT OF THE PUBLIC JOURNALS

5:00
8

NOTES OF A READER.

17:32
9

THE GATHERER.

4:00

Description

Step into a richly illustrated portal that brings the lost grandeur of Richmond Palace back to life. The essay weaves together royal anecdotes, from Henry VII’s tournaments to Queen Elizabeth’s final days, and paints a detailed picture of the building’s architecture, gardens, and even its water‑conduit system. Readers hear the murmurs of courtiers, the disdain of common folk, and the melancholy of an old arch still standing on the Green, all while gaining a vivid sense of the palace’s rise, fall, and lingering echo in today’s noble mansions.

The second half shifts to the heavens, where a lively dialogue explores comets through Sir Isaac Newton’s lens. With clear, approachable language, the piece explains what makes a comet “bearded” or “hairy,” why its tail streams like vapor, and how these wandering bodies defy ordinary planetary orbits. Together, history and science mingle, offering listeners a compact yet captivating glimpse into England’s regal past and the mysteries that streak across the night sky.

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Details

Language

en

Duration

~1 hours (75K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Jonathan Ingram, Allen Siddle, David Garcia and the Online Distributed Proofreading Team.

Release date

2004-02-01

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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