
audiobook
THE MEANING OF PICTURES
PREFACE
CONTENTS
LIST OF ILLUSTRATIONS
CHAPTER I TRUTH IN PAINTING
CHAPTER II INDIVIDUALITY OR THE PERSONAL ELEMENT
CHAPTER III IMAGINATION OF THE ARTIST
CHAPTER IV PICTORIAL POETRY
CHAPTER V THE DECORATIVE QUALITY
CHAPTER VI SUBJECT IN PAINTING
This collection of six university lectures invites listeners to step back and consider how we truly engage with visual art. It argues that judging a picture isn’t a single‑person task; rather, our assessments blend the artist’s intention with our own perceptions, encouraging tolerance for differing viewpoints. By examining both the creator’s mindset and the public’s response, the talks set a foundation for a more open, reflective experience of paintings.
The series moves through the ideas of realism and truth, showing how masters from Rembrandt to the Dutch painters navigate the line between literal representation and deeper meaning. It then explores the personal imprint each artist leaves on a work, the role of imagination in seeing beyond the canvas, and the notion of pictorial poetry that bridges image and feeling. Listeners will come away with fresh tools for reading art, appreciating the subtle signals that convey both individual expression and universal resonance.
Language
en
Duration
~4 hours (239K characters)
Publisher of text edition
Project Gutenberg
Original publisher
New York: Charles Scribner's Sons, 1903, pubdate 1911.
Credits
Charlene Taylor and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
Jan 2, 2024
Rights
Public domain in the USA.

1856–1932
A lively early voice in American art history, he wrote about painting, nature, and the American landscape in a way that welcomed general readers as well as students. His books helped shape how many people looked at art in the late nineteenth and early twentieth centuries.
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