The Mark of Cain

audiobook

The Mark of Cain

by Andrew Lang

EN·~5 hours·19 chapters

Chapters

19 total
1

THE MARK OF CAIN - By Andrew Lang 1886

0:02
2

THE MARK OF CAIN.

0:01
3

CHAPTER I.—A Tale of Two Clubs.

28:09
4

CHAPTER II.—In the Snow.

14:51
5

CHAPTER III.—An Academic Pothouse.

22:26
6

CHAPTER IV.—Miss Marlett’s.

25:21
7

CHAPTER V.—Flown.

21:06
8

CHAPTER VI.—At St. Gatien’s.

19:18
9

CHAPTER VII.—After the Inquest.

20:10
10

CHAPTER VIII.—The Jaffa Oranges. - “Letting I dare not wait upon I would.”

29:45

Description

In a warmly lit dining room of the Olympic Club, a group of friends gathers after a long dinner, their conversations drifting between wit, philosophy, and the occasional sigh of restless ambition. At the center sits Maitland, a man of modest means and restless intellect, whose sense of duty has left him feeling like a perpetual outsider even among familiar faces. His old schoolmate, the charismatic and scholarly Frank Barton, teases him about love, vocation, and a fledgling venture—a poor‑house tavern meant to bring a touch of culture to the working men of the waterside.

The evening spirals into a candid exchange about the clash between genteel expectations and practical charity. Maitland confesses his uneasy experiments with a “pothouse” that promises beer and conversation for laborers, while Barton nudges him toward the alluring Mrs. St. John Deloraine, a wealthy widow whose philanthropy seems to match his own hopes. Their dialogue hints at deeper questions of identity, ambition, and the cost of trying to be “humanized” in a world that values both reputation and reform.

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Details

Language

en

Duration

~5 hours (324K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by David Widger

Release date

2007-06-12

Rights

Public domain in the USA.

Subjects

About the author

Andrew Lang

Andrew Lang

1844–1912

Best remembered for gathering fairy tales into the much-loved "Color Fairy Books," this Scottish writer also moved easily between poetry, criticism, history, translation, and folklore. His work helped bring old stories to new readers and still shapes how many people first meet classic tales.

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