
Transcriber's Note: Footnotes are placed at the end of the relevant paragraph. In Chapters I and II, the printed "Mitra" was changed to "Mithra" to match other occurrences in the text, which predominate.
THE LORDS OF THE GHOSTLAND A History of the Ideal By EDGAR SALTUS
NEW YORK MITCHELL KENNERLEY MCMVII - COPYRIGHT, 1907 BY EDGAR SALTUS The Plimpton Press Norwood Mass. USA.
THE LORDS OF THE GHOSTLAND
THE LORDS OF THE GHOSTLAND
I BRAHMA
II ORMUZD
III AMON-RÂ
IV BEL-MARDUK
V JEHOVAH
A sweeping meditation on the birth of the divine, this work opens by tracing how early peoples turned the mysteries of light, fire and sunrise into verses that would become the first gods. From the hymns of the Rig‑Veda through the solemn chants of the Avesta, the author follows a line of poetic worship that shapes the very idea of “the ideal” in humanity’s imagination. The narrative weaves together myth, language and ritual, showing how the ancient Aryan sky‑lords survived the clash of newer faiths by the sheer durability of their poetry.
In the first act the reader meets a gallery of celestial figures—Brahma, Ormuzd, Amon‑Râ, and others—each introduced with rich excerpts and scholarly footnotes that feel more like a story than a textbook. The prose balances lyrical description with clear analysis, inviting listeners to hear the ancient songs while understanding their cultural impact. It sets the stage for a broader exploration of how reverence and imagination have continually reshaped the ghostly realms of divinity.
Language
en
Duration
~2 hours (163K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Adam Buchbinder, Chandra Friend and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.)
Release date
2010-03-12
Rights
Public domain in the USA.

1855–1921
Best known for his lush, sharp-edged prose, this American writer brought a decadent, cosmopolitan flair to late-19th-century fiction. His novels and essays mixed wit, skepticism, and a taste for the elegant and the provocative.
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