The Philosophy of Disenchantment

audiobook

The Philosophy of Disenchantment

by Edgar Saltus

EN·~6 hours·9 chapters

Chapters

9 total

By the same Author.

0:33

THE PHILOSOPHY OF DISENCHANTMENT.

0:02

CHAPTER I. THE GENESIS OF DISENCHANTMENT.

50:45

CHAPTER II. THE HIGH PRIEST OF PESSIMISM.

1:00:14

CHAPTER III. THE SPHINX'S RIDDLE.

1:11:54

CHAPTER IV. THE BORDERLANDS OF HAPPINESS.

58:58

CHAPTER V. THE GREAT QUIETUS.

1:09:19

CHAPTER VI. IS LIFE AN AFFLICTION?

38:55

Standard and Popular Library Books

29:21

Description

This work opens a thoughtful inquiry into why humanity swings between acceptance and rejection of life’s gifts. By tracing the lineage of pessimistic thought—from Homer’s bleak verses to the Stoic musings of Empedocles and Plato—the author shows how early thinkers already sensed life’s fleeting sorrow, even as they celebrated its heroic ideals. The first chapter frames modern disenchantment as a systematic philosophy that emerged only in recent centuries, contrasting it with the age‑old belief that happiness is a natural birthright.

The narrative then surveys how ancient cultures, from Greek poets to Thracian rites, expressed a quiet resignation toward existence, often preferring non‑being to the burdens of the world. Readers are invited to glimpse the intellectual roots of today’s “theatre of misery” mindset, while the book promises a balanced exploration of both the hopeful and the despondent strands that have shaped Western thought.

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Details

Language

en

Duration

~6 hours (364K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Adam Buchbinder, Diane Monico, and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.)

Release date

2012-06-25

Rights

Public domain in the USA.

Subjects

About the author

Edgar Saltus

Edgar Saltus

1855–1921

Best known for his lush, sharp-edged prose, this American writer brought a decadent, cosmopolitan flair to late-19th-century fiction. His novels and essays mixed wit, skepticism, and a taste for the elegant and the provocative.

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