The lonely plough

audiobook

The lonely plough

by Constance Holme

EN·~11 hours·28 chapters

Chapters

28 total
1

CHAPTER I ACROSS THE DUB

21:23
2

CHAPTER II THE GREEN GATES OF VISION:—I. DUSK

26:30
3

CHAPTER III TROUBLE

30:46
4

CHAPTER IV THE TROUBLE SHAPING

14:52
5

CHAPTER V THE TOOL

6:19
6

CHAPTER VI HAMER’S HUT

17:14
7

CHAPTER VII THE TROUBLE COMING.—THE GREEN GATES OF VISION: II. MORNING

26:02
8

CHAPTER VIII NEW WINE IN OLD BOTTLES

22:34
9

CHAPTER IX THE UPPER AND THE NETHER STONES

24:18
10

CHAPTER X TERROR BY NIGHT

6:41

Description

Lancelot Lancaster is a man weighed down by routine, his days a careful choreography of ledgers, letters, and the relentless hum of an aging estate. He moves through mornings with a practiced patience that borders on resignation, watching his aunt Helwise dart from one committee to another, her frantic energy a contrast to his methodical calm. The ancient tulip‑tree outside his window, blossoming once a century, mirrors the slow, almost unbearable passage of time that he feels in his bones.

Even as Lancaster sorts through contradictory correspondence and fields demanding tenants, a subtle yearning flickers beneath his composed exterior. The clash between his steady, land‑based sensibility and Helwise’s whirlwind of social obligations hints at deeper currents waiting to surface. Listeners are invited into a world where the ordinary becomes a canvas for quiet longing, and where the first act sets the stage for an unexpected re‑examination of duty, age, and the quiet hope of change.

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Details

Language

en

Duration

~11 hours (636K characters)

Publisher of text edition

Project Gutenberg

Original publisher

United Kingdom: Mills & Boon, 1914.

Credits

MWS, David E. Brown, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)

Release date

2023-03-20

Rights

Public domain in the USA.

About the author

CH

Constance Holme

1880–1955

A quietly distinctive English novelist and playwright, she set much of her fiction in Westmorland and wrote with a strong feel for local life, landscape, and social tension. Her work is often remembered for its regional detail and its thoughtful look at class and belonging.

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