
audiobook
THE LIFE AND ROMANCES OF - MRS. ELIZA HAYWOOD - BY - GEORGE FRISBIE WHICHER, PH.D. - INSTRUCTOR IN THE UNIVERSITY OF ILLINOIS
PREFACE
G.F.W. - URBANA, ILLINOIS.
THE LIFE AND ROMANCES OF MRS. ELIZA HAYWOOD - CHAPTER I - ELIZA HAYWOOD'S LIFE
Act I. The German princes hail Frederick, recently elected Emperor. Count Waldec and Ridolpho, in league with the Archbishop of Metz, conspire against him. Waldec urges his sister Adelaid to marry the gallant Wirtemberg. Sophia, her woman and confidant, also urges her to marry, but Adelaid can only reply, "I charge thee Peace, Nor join such distant Sounds as Joy and Wirtemberg," and during the rest of the act proclaims the anguish inspired by her unrequited passion for Frederick, married three years before to a Saxon princess. - Act II. The conspirators plan to kill Frederick. Adelaid reproaches him for abandoning her. He welcomes his imperial consort, Anna, and takes occasion to deliver many magnanimous sentiments. - Act III. Adelaid declares that she cannot love Wirtemberg. Waldec excites the impatient lover to jealousy of Frederick. Ridolpho is banished court for murder. - Act IV. Frederick is distressed by Wirtemberg's discontent. The Empress, seeking to learn the reason for it, is infected by Wirtemberg's suspicions. Adelaid overhears Ridolpho and Waldec plotting to slay Frederick, but hesitates to accuse her own brother. Wirtemberg reproaches her for her supposed yielding to Frederick, and resolves to leave her forever. - Act V. Adelaid, in order to warn him, sends to ask the Emperor to visit her. Waldec intercepts the letter and resolves to murder Frederick in her chamber. Wirtemberg learns that he has been duped and defends the Emperor. Waldec and Ridolpho are killed, though not before they succeed in mortally wounding Frederick, who dies amid tears.
ELIZA HAYWOOD.
FOOTNOTES
CHAPTER II - SHORT ROMANCES OF PASSION
Part II. The youthful stranger, concealing his name and family, relates the sad effects of his love for the favorite wife of the Bashaw of Liperto, and how by her aid he was enabled to escape from slavery, only to be pursued and about to be retaken by janizaries when rescued by Philidore.
Part II. At Sienna the lovers enjoy a season of perfect felicity until Don Jaques comes to town in pursuit of a defaulting steward, discovers Clementina, and apprehends the pair. While the two are confined in separate convents awaiting trial, Clementina's maid, Ismenia (who has already related her little history), becomes their go-between and serves her mistress the same trick that Clementina had already played upon her friend Miramene. Ismenia and the faithless Baron decamp to parts unknown, while Clementina's father starts back to Rome with his recreant daughter. In man's clothes she escapes from her parent to seek revenge upon her lover. At an inn she hears a woman in the next room complaining of her gallant's desertion, and going in to console her, hears the moving story of Signiora Vicino and Monsieur Beaumont, told as a warning to the credulous and unwary sex. The injured fair enters a convent.
This study offers a thoughtful reconsideration of a once‑prominent yet now largely forgotten eighteenth‑century writer. It begins by placing her early romances alongside the adventurous tales of Defoe, showing how her passionate narratives filled a literary niche that later novelists would inherit. The author argues that, despite the loss of her fame after the French Revolution, her contributions remain a crucial link in the evolution from romance to the domestic novel.
Drawing on exhaustive research in major libraries across Britain and the United States, the work assembles a detailed bibliography and chronological list of her many titles, many of which survive only in scattered references. It also surveys earlier scholarly assessments, correcting inaccuracies and highlighting the writer’s role in opening a professional path for women. Readers will find a clear, well‑organized guide that not only maps her prolific output but also underscores her lasting influence on the development of English fiction.
Language
en
Duration
~6 hours (398K characters)
Publisher of text edition
Project Gutenberg
Release date
2004-01-01
Rights
Public domain in the USA.
1889–1954
Best known for a landmark study of Emily Dickinson, this Amherst professor brought literary history to life with clear, thoughtful criticism and a wide range of scholarly interests. His work moved from eighteenth-century fiction to medieval Latin verse and New England transcendentalism.
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