
By SAMUEL FOOTE, Esq.
THE LAME LOVER. - ACT I.
A light‑hearted comedy opens in a bustling London drawing‑room where love and the law collide in the most amusing ways. Charlot accuses the dashing Sir Luke of feigning affection, while the ever‑ready Serjeant Circuit treats the romance like a courtroom case, weighing “circumstances” and “evidence” with playful pedantry. The dialogue crackles with witty legal analogies, turning ordinary flirtation into a mock trial that both lampoons and celebrates the rituals of courtly courtship.
The cast of hapless suitors, officious gentlemen, and outspoken ladies spins a tangled web of misunderstandings, each remark dripping with the era’s sparkling repartee. As the characters argue over alibis and watches, the audience is drawn into a satirical tableau that mirrors society’s obsession with reputation and propriety. By the close of the first act, the tangled accusations set the stage for further comic mishaps, promising plenty more clever wordplay and spirited farce.
Language
en
Duration
~1 hours (77K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Delphine Lettau, Paul Dring and the Online Distributed Proofreading Canada Team at http://www.pgdpcanada.net
Release date
Aug 4, 2015
Rights
Public domain in the USA.

1720–1777
A sharp, funny voice of 18th-century London theater, he built a reputation on satire, mimicry, and a fearless eye for social pretension. His plays and performances made him one of the most talked-about stage figures of his day.
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