The Lady of Pleasure A Comedie, as It Was Acted by Her Majesties Servants, at the Private House in Drury Lane

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The Lady of Pleasure A Comedie, as It Was Acted by Her Majesties Servants, at the Private House in Drury Lane

by James Shirley

EN·~2 hours·7 chapters

Chapters

7 total

THE LADY OF PLEASVRE.

0:14

Persons of the Comedy.

24:42

The second Act.

21:26

The third Act.

27:10

The fourth Act.

23:40

The fifth Act.

24:11

Transcriber's Note

1:10

Description

In this lively early‑seventeenth‑century comedy, a spirited country lady named Aretina arrives in bustling London, only to find herself chafing under the glittering excesses of urban life. Her husband, Sir Thomas Bornewell, tries to reassure her that the city’s splendor can match her noble birth, while servants and suitors weave a tangled web of witty banter and exaggerated fashions. The opening act bursts with sharp repartee as Aretina compares the noisy streets to the simple pleasures of the countryside, setting the stage for a clash of values.

The play skewers the pretensions of high society with a brisk, satirical eye, using colorful characters—from the flamboyant steward to the flirtatious widow Celestina—to highlight the absurdities of vanity, expensive décor, and overblown ceremony. Audiences will enjoy the rapid‑fire dialogue, clever wordplay, and the way the drama balances farce with a surprisingly tender look at marital expectations. Listeners are treated to a vivid portrait of Restoration‑era London, where humor exposes both the allure and the folly of its glittering world.

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Details

Full title

The Lady of Pleasure A Comedie, as It Was Acted by Her Majesties Servants, at the Private House in Drury Lane A Comedie, as It Was Acted by Her Majesties Servants, at the Private House in Drury Lane

Language

en

Duration

~2 hours (117K characters)

Publisher of text edition

Project Gutenberg

Release date

Mar 1, 2014

Rights

Public domain in the USA.

About the author

James Shirley

James Shirley

1596–1666

A leading playwright of the last great phase of English Renaissance drama, he wrote with wit, speed, and an easy feel for the stage. His comedies and tragedies capture courtly style, social games, and the unsettled mood of the years before England's theaters were shut down in 1642.

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