The International Magazine, Volume 4, No. 5, December 1851

audiobook

The International Magazine, Volume 4, No. 5, December 1851

by Various Authors

EN·~12 hours·33 chapters

Chapters

33 total
1

DECEMBER. Vol. IV. No. 5 THE INTERNATIONAL MAGAZINE.

0:06
2

Contents for December.

4:40
3

NAUVOO AND DESERET.

33:47
4

WINDSOR CASTLE.

4:42
5

MR. GERARD, THE LION KILLER,

5:51
6

WILLIAM CULLEN BRYANT.

27:37
7

SLIDING SCALES OF DESPAIR.

0:54
8

DEATH IN YOUTH.

1:13
9

A GERMAN HAND-BOOK OF AMERICA.

22:32
10

GONDOLETTAS.

1:23

Description

A vivid snapshot of mid‑nineteenth‑century thought, this December 1851 issue gathers essays, sketches, and reviews that capture the era’s restless curiosity. The opening feature delves into the rise of the Mormon movement, presenting a contemporary, often skeptical, portrait of its doctrines and early expansion. Alongside it, striking engravings of Windsor Castle and the American frontier invite readers to travel visually across continents.

The magazine also offers a lively mix of cultural commentary: a German handbook on America, reflections on Russian revolutions, and a temperance lecture delivered under the pseudonym “Nimrod.” Poetry, short stories, and art criticism—ranging from Leutze’s Washington to Kaulbach’s frescoes—round out the pages, giving listeners a taste of the literary and artistic currents that shaped public discourse. Whether you’re drawn to historical intrigue, travel writing, or the period’s creative spirit, this collection provides an engaging window into a world on the cusp of modernity.

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Details

Language

en

Duration

~12 hours (741K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Richard Tonsing, Joshua Hutchinson and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by Cornell University Digital Collections)

Release date

2014-05-26

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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