
audiobook
THE INFIDEL; - OR, THE FALL OF MEXICO. - A ROMANCE. - BY THE AUTHOR OF "CALAVAR." - SECOND EDITION. - IN TWO VOLUMES. - VOL. II. - Philadelphia: CAREY, LEA & BLANCHARD. 1835. - Entered, according to Act of Congress, in the year 1835, by Carey, Lea & Blanchard, in the Clerk's Office of the District Court for the Eastern District of Pennsylvania. - PHILADELPHIA - C. SHERMAN & CO. PRINTERS, NO. 19 ST. JAMES STREET.
THE INFIDEL.
CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
CHAPTER VI.
CHAPTER VII.
CHAPTER VIII.
In the early light of a new day, a massive throng of indigenous warriors streams into the great hall of Tezcuco, a city bristling with the promise of conquest. The Spanish captain‑general, Hernán Cortés, presides over a sumptuous feast, surrounded by his most trusted officers and a dazzling array of native princes, each bearing the symbols of their peoples. The room glitters with green vines, fragrant flowers, and banners of war, while torches cast flickering shadows that hide the tension beneath the revelry. The gathering is both a celebration of alliances and a prelude to the brutal campaign that will decide the fate of the ancient capital.
Whispers spread about the unexplained absence of two veteran soldiers, Sandoval and Xicotencal, casting a subtle unease over the celebration. As drums echo and indigenous chiefs listen to Cortés outline his strategy for dividing the army, the festive décor masks the looming conflict. The scene draws listeners into a tense crossroads where pride, ambition, and the threat of war converge.
Language
en
Duration
~6 hours (361K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Julia Miller, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
2010-12-01
Rights
Public domain in the USA.

1806–1854
A physician turned playwright and novelist, this early American writer became famous for vivid historical adventure and big-stage drama. His best-known work, The Gladiator, was a major theatrical success in the 1830s and helped make him one of the most popular dramatists of his day.
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