The Green God's Pavilion: A novel of the Philippines

audiobook

The Green God's Pavilion: A novel of the Philippines

by Mabel Wood Martin

EN·~9 hours·26 chapters

Chapters

26 total
1

THE GREEN GOD’S PAVILION - CHAPTER I

37:27
2

CHAPTER II

25:50
3

CHAPTER III

22:54
4

CHAPTER IV

16:26
5

CHAPTER V

17:32
6

CHAPTER VI

9:11
7

CHAPTER VII

28:49
8

CHAPTER VIII

7:19
9

CHAPTER IX

9:08
10

CHAPTER X

24:00

Description

A young woman named Julie steps off a crowded ship into a dazzling port that feels like a vision of a golden city rising from the equator’s garden. The towering domes and glittering spires promise a world where East and West once collided, hinting at both ancient splendor and the restless promise of a new life. As she watches the mingling crowds—weather‑worn sailors, bright‑eyed locals, families reuniting—her own sense of isolation begins to melt, replaced by a fierce curiosity about the place she has finally reached.

Julie’s journey has been propelled by the collapse of her uncle’s fortunes, thrusting her into an uncertain independence that feels both frightening and exhilarating. Armed with little more than a modest certificate and a restless imagination, she confronts the stark reality of colonial Philippines, where her fragmented talents and yearning for adventure must find a foothold. The opening pages capture her awe, her doubts, and the electric sense that stepping onto these sun‑lit walls could reshape the very course of her future.

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Details

Language

en

Duration

~9 hours (545K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Jeroen Hellingman and the Online Distributed Proofreading Team at http://www.pgdp.net/ for Project Gutenberg (This file was produced from images generously made available by The Internet Archive/American Libraries.)

Release date

2015-05-10

Rights

Public domain in the USA.

About the author

Mabel Wood Martin

Mabel Wood Martin

1888–1956

A little-known early 20th-century novelist, she wrote atmospheric fiction that ranged from the Philippines to more personal, inward-looking drama. Her work also appeared in major magazines of the day, including Scribner's and Collier's.

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