The Great Round World And What Is Going On In It, Vol. 1. No. 21, April 1, 1897 A Weekly Magazine for Boys and Girls

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The Great Round World And What Is Going On In It, Vol. 1. No. 21, April 1, 1897 A Weekly Magazine for Boys and Girls

by Various Authors

EN·~43 minutes·8 chapters

Chapters

8 total
1

History and Manuals of - Vertical Writing

1:26
2

FOR SALE

1:18
3

MAPS, CHARTS, &c.

32:47
4

LETTERS FROM OUR YOUNG FRIENDS.

0:56
5

INVENTION AND DISCOVERY.

3:48
6

BOOK REVIEWS.

2:04
7

Great Round World Polisher

0:55
8

NOTICE - Booksellers and Newsdealers

0:35

Description

The opening pages of this vintage weekly pull you into a bustling marketplace of 19th‑century education. It showcases John Jackson’s pioneering system of vertical writing, complete with manuals, copy‑books and even the rapid “telegraph hand” prized by the era’s fastest scribes. Interspersed are detailed listings of arithmetic textbooks, geometry blocks, world maps and astronomical charts, each priced like a treasure for a curious young mind.

Between the catalogues, the magazine pauses to report a bold diplomatic note from Greece, refusing to withdraw troops from Crete despite pressure from the Great Powers. The brief but vivid commentary captures the tension of a small kingdom asserting its resolve, offering listeners a snapshot of international affairs as they unfolded in 1897. Together, the practical guides and timely commentary create a lively portrait of a world where learning and geopolitics shared the same printed page.

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Details

Full title

The Great Round World And What Is Going On In It, Vol. 1. No. 21, April 1, 1897 A Weekly Magazine for Boys and Girls A Weekly Magazine for Boys and Girls

Language

en

Duration

~43 minutes (42K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Juliet Sutherland, Emmy and the Online Distributed Proofreading Team. (www.pgdp.net)

Release date

2005-03-24

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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