The Girl's Own Paper, Vol. VIII, No. 357, October 30, 1886

audiobook

The Girl's Own Paper, Vol. VIII, No. 357, October 30, 1886

by Various Authors

EN·~2 hours·9 chapters

Chapters

9 total
1

CHAPTER V. THE CHATEAU AFTER THE LOSS OF THE BABY.

22:34
2

THE ROMANCE OF THE BANK OF ENGLAND; OR, THE OLD LADY OF THREADNEEDLE STREET. By EMMA BREWER. - INTRODUCTION.

12:54
3

HISTORICAL SKETCHES OF MUSICAL FORMS. - Sketch I.—The Oratorio and Passion Music (Sacred Drama). By MYLES B. FOSTER, Organist of the Foundling Hospital.

11:56
4

NOTES FOR NOVEMBER.

5:54
5

CHILD ISLAND. FAIRY TALE FOR YOUNGER GIRLS.

24:34
6

AFTERNOON TEA.

1:11
7

HEALTHY LIVES FOR WORKING GIRLS.

29:18
8

BOOKS FOR TIRED GIRLS.

0:47
9

ANSWERS TO CORRESPONDENTS. - EDUCATIONAL.

17:57

Description

A quiet manor becomes a whirlwind of panic when the infant of the young baroness vanishes from her cradle. Servants scramble through attic and cellar, lanterns flickering, while the distraught mother clutches at every thread of hope. The household’s orderly routine shatters as whispers of theft and hidden motives swirl, and the baron’s sudden, unexpected appearance adds a new, unsettling layer to the chaos.

Behind the frantic search lies a deeper conflict: a husband’s possessive love and his belief that his wife’s devotion to the child threatens their marriage. As he reveals a secret decision to keep the baby away, the couple is forced to confront jealousy, duty, and the fragile balance of aristocratic life. Listeners are drawn into a tense, emotionally charged drama that explores how even the most privileged families can be undone by fear, secrecy, and the desperate desire to protect those they love.

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Details

Language

en

Duration

~2 hours (122K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Susan Skinner and the Online Distributed Proofreading Team at http://www.pgdp.net

Release date

2006-06-04

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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