The Dramatic Values in Plautus

This dissertation revisits the long‑standing debate over Plautus’s place in the theatrical tradition, arguing that his work has been both over‑praised and unjustly dismissed. By surveying centuries of criticism, the author shows how scholars have alternately cast the Roman playwright as a master craftsman and as a mere purveyor of crude humor. The study emphasizes that any serious appraisal of Plautus must begin with an appreciation for the comic spirit that animates his plays.

Delving into the mechanics of his comedy, the work examines recurring devices such as clever slave monologues, audience‑addressed asides, and the rhythmic interplay of dialogue and physical action. It highlights how Plautus weaves together plot, character, and stagecraft to create moments that still surprise modern readers. Throughout, the analysis balances rigorous scholarship with an awareness of the playfulness at the heart of Plautine drama, offering listeners a fresh perspective on an ancient comic master.