
Transcribed from the 1895 Methuen and Co. edition by David Price, email ccx074@pglaf.org
THE DOUBLE-DEALER A COMEDY
TO THE RIGHT HONOURABLE CHARLES MONTAGUE, ONE OF THE LORDS OF THE TREASURY.
TO MY DEAR FRIEND MR. CONGREVE, ON HIS COMEDY CALLED THE DOUBLE-DEALER.
PROLOGUE Spoken by Mrs. Bracegirdle.
DRAMATIS PERSONÆ. - MEN.
ACT I. - SCENE I.
ACT II. - SCENE I.
ACT III. - SCENE I.
ACT IV. - SCENE I.
A clever Restoration‑era comedy unfolds with a sharp eye on the art of deception. The playwright openly debates the mechanics of soliloquy, inviting listeners to peer into a world where private scheming and public performance collide. The dialogue crackles with wit, and the stage becomes a chessboard for characters who balance ambition, vanity, and the desire to outwit one another, all while staying true to the classical unities of drama.
At the heart of the story is Mellefont, a charming but credulous young man whose confidence makes him an easy mark for more seasoned manipulators. As fortunes shift and alliances blur, the “double‑dealer” weaves intricate plots that test loyalty and reveal the absurdities of social climbing. The humor springs from the characters’ self‑delusion and the audience’s awareness of their tangled motives, promising a lively listening experience that celebrates both clever language and timeless human folly.
Language
en
Duration
~2 hours (148K characters)
Publisher of text edition
Project Gutenberg
Release date
1998-02-01
Rights
Public domain in the USA.

1670–1729
Best known for sparkling Restoration comedies, this sharp-eyed playwright helped define the comedy of manners with wit, social satire, and memorable dialogue. His plays still stand out for their elegance, bite, and keen sense of how people perform for one another.
View all books
by William Congreve

by William Congreve

by William Congreve

by William Congreve
![The Comedies of William Congreve: Volume 1 [of 2]](https://listenly.io/api/img/6637fe37829d50c265d7e2fa/cover.jpg)
by William Congreve

by William Congreve

by Royall Tyler

by Dion Boucicault