
ILLUSTRATIONS
THE DEVELOPMENT OF EMBROIDERY IN AMERICA - INTRODUCTORY THE STORY OF THE NEEDLE
CHAPTER I BEGINNINGS IN THE NEW WORLD
CHAPTER II THE CREWELWORK OF OUR PURITAN MOTHERS
CHAPTER III SAMPLERS AND A WORD ABOUT QUILTS
CHAPTER IV MORAVIAN WORK, PORTRAITURE, FRENCH EMBROIDERY, AND LACEWORK
CHAPTER V BERLIN WOOLWORK
CHAPTER VI REVIVAL OF EMBROIDERY, AND THE FOUNDING OF THE SOCIETY OF DECORATIVE ART
CHAPTER VII AMERICAN TAPESTRY
CHAPTER VIII THE BAYEUX TAPESTRIES
This listening experience traces the evolution of American embroidery from the colonies through the nineteenth century, using a richly illustrated catalogue of surviving pieces. The guide begins with early European–influenced crewel work and homespun samplers, then widens to include the distinctive needle traditions of Native peoples, showing how the craft migrated across towns, farms and front‑parlor walls.
Among the highlighted treasures are Sioux porcupine‑quill jackets, a Cherokee rose blanket, and delicate Moravian picture‑embroidery that once adorned a family heirloom. Colonial samplers—some stitched by teenage daughters, others left unfinished at a maker’s death—reveal personal stories, educational aims and the changing aesthetics of colour and motif. Later nineteenth‑century examples, such as the Deerfield Society’s blue‑and‑white needlework and intricate satin memorials, illustrate how regional societies revived and re‑imagined the art form.
Listening to this survey invites a tactile sense of history, letting you picture the steady hands and vibrant communities that wove America’s cultural fabric, stitch by stitch.
Language
en
Duration
~3 hours (183K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Constanze Hofmann and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
2008-01-04
Rights
Public domain in the USA.

1827–1923
A pioneer of American interior and textile design, she helped turn decorative arts into a serious profession for women in the late 19th century. Her work blended business sense, social purpose, and a distinctly American style.
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