
Transcribed from the 1836 George Dearborn edition by David Price, email ccx074@pglaf.org
Index.
THE CULPRIT FAY.
TO A FRIEND.
EXTRACTS FROM LEON. AN UNFINISHED POEM.
NIAGARA.
SONG.
SONG.
WRITTEN IN A LADY’S ALBUM.
LINES to a lady, on hearing her sing “cushlamachree.”
The collection opens with a moonlit tableau that drifts between the quiet hush of a summer night and the bustling world of unseen sprites. In “The Culprit Fay,” the poet summons a chorus of fireflies, owls, and mischievous fairies, weaving their whispered revelry into a tapestry of rhythmic wonder. The language is richly ornamental, inviting listeners to linger on each glimmering image as the night unfolds toward a tentative judgment.
Beyond the enchanted forest, the volume travels through a variety of moods and subjects. Gentle verses to friends, vivid portrayals of Niagara’s roar, and patriotic reflections on the American flag sit beside tender lines addressed to loved ones and musings on hope and departure. Whether you’re drawn to the lyrical celebration of nature or the quiet intimacy of personal address, these early‑19th‑century poems offer a melodic escape that feels both timeless and warmly familiar.
Language
en
Duration
~1 hours (64K characters)
Publisher of text edition
Project Gutenberg
Release date
1995-08-01
Rights
Public domain in the USA.

1795–1820
An early American poet with a gift for vivid, musical verse, he left a lasting mark on U.S. literature despite dying at just twenty-five. He is best remembered for poems like The Culprit Fay and The American Flag, along with the lively satirical pieces he wrote with Fitz-Greene Halleck.
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