
The book opens with a lively comparison: literary criticism is framed as a game, its moves and strategies as familiar as those in whist, poker, or tennis. It argues that, like any sport, criticism demands skill, wit, and a flair for performance, rewarding the successful critic with both applause and livelihood. From the start, the author sets out to show that criticism must share the same virtues as any great writing—beauty, humor, originality, and the power to persuade.
Through vivid examples of figures such as Lamb, Arnold, and Thackeray, the work demonstrates how a critic’s voice often shines brighter than the work being examined. It explores the paradox of subjectivity in criticism, suggesting that every piece of writing, even an encyclopedia entry, carries its author’s imprint. Listeners are invited into a thoughtful, entertaining discussion about what it truly means to critique literature and where the line between creator and commentator blurs.
Language
en
Duration
~5 hours (328K characters)
Publisher of text edition
Project Gutenberg
Release date
2012-01-03
Rights
Public domain in the USA.

1877–1932
A Harvard-educated editor and critic, he is best remembered for helping shape Helen Keller’s early books and for his marriage to Anne Sullivan. His own writing ranged from biography and literary criticism to social commentary, reflecting a lively place in early 20th-century American letters.
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