
E-text prepared by Suzanne Shell and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/American Libraries (http://www.archive.org/details/americana)
BONI and LIVERIGHT Publishers New York - Copyright, 1922, by Boni and Liveright, Inc. - Printed in the United States of America.
The book opens with a lively comparison: literary criticism is framed as a game, its moves and strategies as familiar as those in whist, poker, or tennis. It argues that, like any sport, criticism demands skill, wit, and a flair for performance, rewarding the successful critic with both applause and livelihood. From the start, the author sets out to show that criticism must share the same virtues as any great writing—beauty, humor, originality, and the power to persuade.
Through vivid examples of figures such as Lamb, Arnold, and Thackeray, the work demonstrates how a critic’s voice often shines brighter than the work being examined. It explores the paradox of subjectivity in criticism, suggesting that every piece of writing, even an encyclopedia entry, carries its author’s imprint. Listeners are invited into a thoughtful, entertaining discussion about what it truly means to critique literature and where the line between creator and commentator blurs.
Language
en
Duration
~5 hours (328K characters)
Publisher of text edition
Project Gutenberg
Release date
Jan 3, 2012
Rights
Public domain in the USA.

1877–1932
Best remembered for helping shape Helen Keller's early books, this American editor and critic moved easily between literary journalism, biography, and cultural debate. His career joined sharp-minded criticism with a close connection to one of the most famous literary and educational stories of his time.
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