
1 “I spit a curve in the wind”
2 In which an alarm clock and some dried apricots are exchanged with natives for a nurse for me. The ship becomes my cradle
3 “A ship is called a ‘she’ because her riggin’ costs more than her hull.”—Stitches.
4 In which I learn that young ladies must not take baths in gentlemen’s drinking water
5 Perfume on the cook’s feet and hair on my chest.—What of it?
6 A dead fish and a squarehead’s kiss
7 A runaway sea horse
8 We catch a female shark and I learn about women from her—
9 In which I learn to take a joke. Hoping you may do the same
10 A bucko Captain and his Bible chart for me the mysteries of sex
A rough‑hewn narrator who has never known land but the deck of his father’s four‑masted windjammer tells us the sea as a living cathedral of scent, storm, and camaraderie. He grew up among copra, sandalwood and the salty gossip of old sailors, while his father’s stern expectations shape every choice.
The story opens with a lively defense of the captain’s daughter—part “girl flower,” part hardened sailor—illustrating the clash between coastal propriety and the rough‑and‑ready world of the schooner. Through vivid language the narrator sketches his childhood of secret conversations with a tempestuous God atop the mast, and the relentless discipline of a father who equates survival with the sea’s unforgiving law.
As the wind fills the schooner’s canvas, the listener is drawn into a world where myth and routine blur, and the young protagonist must navigate loyalty, fear, and the constant hunger for freedom that the ocean promises.
Language
en
Duration
~6 hours (365K characters)
Release date
Jan 12, 2025
Rights
Public domain in the USA.

1900–1967
A silent-film actress who reinvented herself as a writer, she is best remembered for Cradle of the Deep, a wildly popular 1929 book sold as autobiography and later exposed as fiction. Her life after Hollywood was no less unusual, taking her from newspaper work to years in Brazil.
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