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THE - CONTINENTAL MONTHLY. - DEVOTED TO - Literature and National Policy.
INDEX TO VOLUME IV.
THE CONTINENTAL MONTHLY. - DEVOTED TO - Literature and National Policy. - JULY, 1863.
CONTENTS.—No. XIX.
THE CONTINENTAL MONTHLY: - DEVOTED TO - LITERATURE AND NATIONAL POLICY. - VOL. IV.—JULY, 1863.—No. I.
EMANCIPATION IN JAMAICA.
ABIJAH WITHERPEE'S RETREAT.
REASON, RYHME, AND RYTHM. - CHAPTER III.—THE INFINITE.
MRS. RABOTHEM'S PARTY. - AN EPISODE FROM FASHIONABLE LIFE.
DIARY OF FRANCES KRASINSKA; - OR, LIFE IN POLAND DURING THE EIGHTEENTH CENTURY. - PREFACE.
Step into the bustling world of mid‑civil‑war America with this July 1863 issue of a literary and policy magazine. The pages gather a lively mix of poetry, travel sketches, political essays, and investigative pieces, reflecting the concerns and curiosities of readers during a turbulent season. From a poet’s autumn reflections to a detailed report on American finances, each contribution offers a snapshot of the era’s intellectual climate.
Among the standout items are a vivid travelogue across a wintry Maine, a detective story that pits observation against mystery, and a thoughtful discourse on emancipation in Jamaica that ties global justice to domestic debates. Scholars and casual listeners alike will appreciate the blend of historical analysis, personal narrative, and creative expression that defines this volume. Listen to the voices of 1863 and hear how literature and national policy intertwined in a time of conflict.
Full title
The Continental Monthly, Vol. 4, No. 1, July, 1863 Devoted to Literature and National Policy Devoted to Literature and National Policy
Language
en
Duration
~7 hours (446K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Joshua Hutchinson, Janet Blenkinship and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by Cornell University Digital Collections)
Release date
2007-07-01
Rights
Public domain in the USA.
This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.
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