The Complete Plays of Gilbert and Sullivan

audiobook

The Complete Plays of Gilbert and Sullivan

by Arthur Sullivan, W. S. (William Schwenck) Gilbert

EN·~21 hours·42 chapters

Chapters

42 total

THE 14 GILBERT AND SULLIVAN PLAYS

0:11

THE GONDOLIERS

1:00

ACT I

56:04

ACT II

48:39

THE GRAND DUKE

0:52

ACT I.

1:09:42

ACT II.

44:07

H.M.S. PINAFORE

0:54

ACT I

35:38

ACT II

32:20

Description

Set against the shimmering canals of 18th‑century Venice, this lively operetta opens with a bustling piazzetta where village girls are busy binding bouquets while dreaming of romance. Two handsome gondoliers arrive, each tasked with choosing a bride from among the hopeful maidens, sparking a playful rivalry that ripples through sung verses and spirited choruses. The witty librettist’s wordplay dances with the composer’s sparkling melodies, creating a charming portrait of love, jealousy, and carefree folly.

As the gondoliers court their admirers, the ensemble bursts into tuneful duets and jovial group numbers that capture the light‑hearted spirit of Venetian life. The stage teems with colorful characters—from proud dukes to mischievous servants—each adding a layer of comic intrigue. Listeners are treated to a bright blend of witty dialogue and memorable tunes that invite laughter and delight, setting the tone for the whimsical adventures that follow.

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Details

Language

en

Duration

~21 hours (1226K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by David Reed, and David Widger

Release date

1997-02-01

Rights

Public domain in the USA.

About the authors

Arthur Sullivan

Arthur Sullivan

1842–1900

Best known for the sparkling comic operas he created with W. S. Gilbert, this English composer also wrote hymns, orchestral music, and serious choral works. His melodies helped shape Victorian musical life and still remain widely loved.

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W. S. (William Schwenck) Gilbert

W. S. (William Schwenck) Gilbert

1836–1911

Best known as the witty half of Gilbert and Sullivan, he helped shape comic opera with topsy-turvy plots, razor-sharp lyrics, and a talent for turning Victorian society into sparkling satire. His work still feels lively today, especially in classics like H.M.S. Pinafore, The Pirates of Penzance, and The Mikado.

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