
Transcribed from the 1920 Macmillan and Co. edition of “The Bab Ballads” (also from “Fifty Bab Ballads” 1884 George Routledge and Sons edition) by David Price, email ccx074@pglaf.org
CAPTAIN REECE
THE RIVAL CURATES
ONLY A DANCING GIRL
GENERAL JOHN
TO A LITTLE MAID BY A POLICEMAN
JOHN AND FREDDY
SIR GUY THE CRUSADER
HAUNTED
THE BISHOP AND THE ’BUSMAN
These light‑hearted verses sweep listeners into a witty Victorian world where pirates, curates and eccentric captains trade banter with absurdity. Gilbert’s clever rhymes and playful narratives poke gentle fun at society’s manners while delivering surprising twists that keep the ear eager for the next line. The collection jumps from seafaring shenanigans to mischievous clergy, each poem a self‑contained comic sketch that sparkles with puns and vivid imagery.
The rhythm of the verses makes them especially enjoyable as spoken word, allowing the listener to hear the jaunty meter that motivated many later operettas. Though rooted in 19th‑century satire, the humor feels surprisingly fresh, inviting both lovers of classic literature and casual fans of witty storytelling. Whether you’re in the mood for a cheeky sailor’s tale or a parody of solemn sermons, the set offers a charming escape with a grin at every turn.
Language
en
Duration
~1 hours (113K characters)
Publisher of text edition
Project Gutenberg
Release date
1997-06-01
Rights
Public domain in the USA.

1836–1911
Best remembered as the sharp, playful wit behind the Gilbert and Sullivan comic operas, he helped shape Victorian musical theatre with topsy-turvy plots, clever rhymes, and a taste for satire. His work still feels lively thanks to its mix of absurdity, precision, and very human foolishness.
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