The Comic Latin Grammar: A new and facetious introduction to the Latin tongue

audiobook

The Comic Latin Grammar: A new and facetious introduction to the Latin tongue

by Percival Leigh

EN·~2 hours·14 chapters

Chapters

14 total
1

THE COMIC - LATIN GRAMMAR; - A new and facetious Introduction - TO THE - LATIN TONGUE. - WITH NUMEROUS ILLUSTRATIONS. - THE SECOND EDITION. - LONDON: CHARLES TILT, FLEET STREET. MDCCCXL.

4:16
2

COE, PRINTER, 27, OLD CHANGE, ST. PAUL’S.

0:02
3

ADVERTISEMENT - TO THE SECOND EDITION.

3:17
4

PREFACE.

4:56
5

INTRODUCTION.

2:25:58
6

CHARLES TILT’S LIST OF NEW AND POPULAR Books, FOR PRESENTS, THE DRAWING-ROOM TABLE, &c.

1:37
7

NEW AND INTERESTING WORKS.

1:21
8

Illustrated Works, WITH PLATES, ELABORATELY COLOURED, AFTER THE ORIGINAL PAINTINGS.

2:55
9

POPULAR JUVENILE WORKS, JUST PUBLISHED.

1:47
10

NEW AND POPULAR WORKS.

1:23

Description

This quirky 19th‑century guide treats Latin as both a language and a source of amusement. The author mixes genuine grammatical instruction with a tongue‑in‑cheek commentary that pokes fun at the conventions of his day, from awkward pronunciations to elaborate self‑praise. Readers encounter a surprising blend of technical details—like macrons, breves, and the œ ligature—and playful remarks about clothing and portraiture.

Illustrations by a well‑known caricaturist dot the pages, adding visual jokes to the already lively prose. The book also warns modern users about outdated spellings and pronunciation, noting that “j” once sounded like the first letter of “jam.” Though its humor can feel dated, the work offers a vivid glimpse of Victorian scholarly culture and a reminder that language learning need not be solemn.

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Details

Language

en

Duration

~2 hours (168K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Louise Hope

Release date

2009-07-19

Rights

Public domain in the USA.

About the author

PL

Percival Leigh

1813–1889

A witty Victorian satirist who helped shape the voice of Punch, he turned medical training into a career built on comic essays, parodies, and sharp social observation. His writing captures the playful, bustling spirit of 19th-century England.

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