
audiobook
THE CATHOLIC WORLD.
TAINES ENGLISH LITERATURE.
FRAGMENTS OF EARLY ENGLISH POEMS ON THE PASSION.
THE HOUSE OF YORKE. - CHAPTER XXV.BOADICEA’S WATCH.
THE DUTIES OF THE RICH IN CHRISTIAN SOCIETY. - NO. III.SOCIAL DUTIES.
EASTER EVE.
THE TWENTY-FIRST CATHOLIC CONGRESS IN MAYENCE. FROM DER KATHOLIK.
FLEURANGE. BY MRS. CRAVEN, AUTHOR OF “A SISTER’S STORY.” TRANSLATED FROM THE FRENCH, WITH PERMISSION. - PART FIRST.THE OLD MANSION. - VII.
THE LAST DAYS OF OISIN, THE BARD. BY AUBREY DE VERE. - IV.OISIN’S QUESTION.
AFFIRMATIONS.
A snapshot of Catholic thought in the spring and summer of 1872, this volume gathers a lively mix of articles, essays, and poetry that once filled the pages of a widely read American magazine. Readers will hear contemporary voices discuss everything from the latest Catholic congress in Mayence to the growing role of the Church in the United States, offering insight into the religious, cultural, and scientific conversations of the era.
The collection also includes thoughtful pieces on philosophy and education, vivid travel sketches from places like the Tyrol and Vancouver, and literary reviews ranging from Dante’s Purgatorio to contemporary poetry. Interwoven with reports on charitable work, women’s rights, and the arts, the material paints a rich portrait of a community engaged with both tradition and modernity, making it a fascinating listen for anyone curious about 19th‑century Catholic life and ideas.
Full title
The Catholic World, Vol. 15, Nos. 85-90, April 1872-September 1872 A Monthly Magazine A Monthly Magazine
Language
en
Duration
~49 hours (2850K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by David Edwards and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2015-04-25
Rights
Public domain in the USA.
Subjects
This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.
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