The Captivi and the Mostellaria

audiobook

The Captivi and the Mostellaria

by Titus Maccius Plautus

EN·~3 hours·41 chapters

Chapters

41 total
1

THE CAPTIVI AND THE MOSTELLARIA OF PLAUTUS - Literally Translated with notes - By Henry Thomas Riley, B. A.

0:06
2

THE CAPTIVI

0:00
3

DRAMATIS PERSONAE.

0:22
4

THE ACROSTIC ARGUMENT {1}.

0:44
5

THE PROLOGUE.

9:39
6

ACT I.—SCENE I. - Enter ERGASILUS.

5:41
7

SCENE II.—Enter, from his house, HEGIO and a SLAVE.

10:10
8

ACT II.—SCENE I.

4:31
9

SCENE II.—Enter HEGIO, from his house, speaking to those within.

13:21
10

SCENE III.—Enter PHILOCRATES, from the house.

10:03

Description

Set against the bustle of a war‑torn Aetolian village, the story opens in the home of an aging farmer who is desperate to reunite with his lost sons. One child vanished as a toddler, sold away by a runaway slave, while the other has just been captured in battle and taken to the enemy’s lands. The farmer now trades in foreign captives, hoping to barter one for the son he does not yet know is already living under his roof.

Amid the confusion, a clever slave and his fellow prisoner devise a bold scheme of switched clothes and false names, aiming to free their master and restore the farmer’s family without anyone realizing what is truly at stake. The comedy thrives on sharp wordplay, mistaken identities, and the irony of a son serving his own father, offering listeners a lively glimpse into Plautus’s timeless humor and the tangled fortunes of those caught in the whims of war.

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Details

Language

en

Duration

~3 hours (228K characters)

Publisher of text edition

Project Gutenberg

Credits

Text file produced by David Starner, Blain Nelson, Ted Garvin and the Online Distributed Proofreading Team HTML file produced by David Widger

Release date

2005-01-01

Rights

Public domain in the USA.

About the author

Titus Maccius Plautus

Titus Maccius Plautus

-254–-184

Among the earliest Latin authors whose complete works still survive, this Roman comic playwright helped shape stage comedy for centuries. His fast-moving plots, sharp wordplay, and lively characters later influenced writers from Shakespeare to Molière.

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