
THE CAPTIVI AND THE MOSTELLARIA OF PLAUTUS - Literally Translated with notes - By Henry Thomas Riley, B. A.
THE CAPTIVI
DRAMATIS PERSONAE.
THE ACROSTIC ARGUMENT {1}.
THE PROLOGUE.
ACT I.—SCENE I. - Enter ERGASILUS.
SCENE II.—Enter, from his house, HEGIO and a SLAVE.
ACT II.—SCENE I.
SCENE II.—Enter HEGIO, from his house, speaking to those within.
SCENE III.—Enter PHILOCRATES, from the house.
Set against the bustle of a war‑torn Aetolian village, the story opens in the home of an aging farmer who is desperate to reunite with his lost sons. One child vanished as a toddler, sold away by a runaway slave, while the other has just been captured in battle and taken to the enemy’s lands. The farmer now trades in foreign captives, hoping to barter one for the son he does not yet know is already living under his roof.
Amid the confusion, a clever slave and his fellow prisoner devise a bold scheme of switched clothes and false names, aiming to free their master and restore the farmer’s family without anyone realizing what is truly at stake. The comedy thrives on sharp wordplay, mistaken identities, and the irony of a son serving his own father, offering listeners a lively glimpse into Plautus’s timeless humor and the tangled fortunes of those caught in the whims of war.
Language
en
Duration
~3 hours (228K characters)
Publisher of text edition
Project Gutenberg
Credits
Text file produced by David Starner, Blain Nelson, Ted Garvin and the Online Distributed Proofreading Team HTML file produced by David Widger
Release date
Jan 1, 2005
Rights
Public domain in the USA.

-254–-184
A master of fast-moving comedy, this early Roman playwright helped shape Western theater with lively plots, sharp wordplay, and unforgettable stock characters. His surviving plays are the earliest complete works of Latin literature that still let readers hear the comic voice of ancient Rome.
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