The Cabinet Minister: A farce in four acts

audiobook

The Cabinet Minister: A farce in four acts

by Arthur Wing Pinero

EN·~2 hours·12 chapters

Chapters

12 total

INTRODUCTORY NOTE

0:04

THE CABINET MINISTER

0:01

THE PLAYS OF ARTHUR W. PINERO.

0:34

THE CABINET MINISTER

0:15

INTRODUCTORY NOTE

5:20

THE PERSONS OF THE PLAY

0:44

THE CABINET MINISTER - THE FIRST ACT.

42:22

THE SECOND ACT.

42:18

THE THIRD ACT.

46:01

THE FOURTH ACT.

23:54

Description

In this sparkling four‑act farce, a senior government minister finds his respectable façade threatened by a tangled web of debts, family expectations and social pretensions. The story opens in the minister’s elegant Mayfair townhouse, where rival aristocrats, ambitious sons and a meddlesome widow converge, each convinced they understand the true meaning of honour and duty. As their exaggerated sentiments collide, misunderstandings multiply, turning polite conversation into a battle of wits and embarrassments.

The play balances sharp satire with the warmth of genuine feeling, inviting listeners to hear the clang of political ambition softened by human folly. Pinpointed dialogue and brisk pacing carry the audience from the glittering drawing‑room to a remote Scottish castle, promising a lively contrast of settings. With its witty repartee and lively cast of characters, the work offers a delightful listening experience that both pokes fun at high society and celebrates the absurdities of everyday life.

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Details

Language

en

Duration

~2 hours (160K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by K Nordquist, Branko Collin, Louise Pattison and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)

Release date

2010-10-01

Rights

Public domain in the USA.

About the author

Arthur Wing Pinero

Arthur Wing Pinero

1855–1934

A leading voice of the late Victorian and Edwardian stage, this English playwright helped move popular theatre from brisk farce toward sharper social drama. His best-known works mix clever construction with a lively feel for manners, scandal, and the pressures of respectable society.

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