
THE BRIDLING OF PEGASUS
THE ESSENTIALS OF GREAT POETRY
THE FEMININE NOTE IN ENGLISH POETRY
MILTON AND DANTE: A COMPARISON AND A CONTRAST
BYRON AND WORDSWORTH
DANTE’S REALISTIC TREATMENT OF THE IDEAL
DANTE’S POETIC CONCEPTION OF WOMAN
POETRY AND PESSIMISM
A VINDICATION OF TENNYSON
ON THE RELATION OF LITERATURE TO POLITICS
A thoughtful collection of essays that brings the rigors of early‑twentieth‑century literary criticism into clear, conversational prose. Framed by the mythic image of Bellerophon’s golden bridle, the author uses the metaphor to explore how a disciplined guide can tame the wild impulses of poetic imagination. Each paper, drawn from three decades of reflection, examines the timeless questions of what truly makes verse “poetry” and how imagination transforms ordinary experience into the ideal.
The writer argues that poetry must possess musicality and clarity, rejecting works that are merely ornate or obscure. He defends enduring standards—rooted in long‑standing authority—against the modern flood of subjective opinions, insisting that greatness rests on a poem’s theme as much as its craft. Listeners will find a balanced blend of historical insight and practical guidance, offering a steady compass for anyone eager to understand the foundations of great verse.
Language
en
Duration
~7 hours (422K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Suzanne Shell and the Online Distributed Proofreading Team at https://www.pgdp.net
Release date
2011-02-24
Rights
Public domain in the USA.

1835–1913
Best remembered as Britain’s Poet Laureate after Tennyson, he wrote verse, criticism, and political journalism during the late Victorian era. His reputation was debated even in his own lifetime, which makes his career an especially interesting window into literary taste and public life in 19th-century England.
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