
audiobook
by John Gay
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LIST OF THE PLATES
CLAUD LOVAT FRASER
THE BEGGAR’S OPERA - NOTE ON THE SCENE AND COSTUMES AT THE LYRIC THEATRE, HAMMERSMITH
DRAMATIS PERSONÆ.
INTRODUCTION - BEGGAR, PLAYER. - Beggar.
OVERTURE
ACT I. SCENE I. - Scene, Peachum’s House.
ACT II. SCENE I. - A Tavern near Newgate.
ACT III. SCENE I. - Scene, Newgate.
A sparkling satire set in the bustling streets of 18th‑century London, this ballad opera follows the charismatic highwayman Macheath as he navigates love, loyalty, and the law. With witty dialogue and familiar folk tunes, the first act introduces a lively cast—Polly, a daring courtesan; a bumbling constable; and a chorus of thieves who blur the line between respectable society and the underworld. The result is a clever commentary on hypocrisy that feels both mischievous and surprisingly modern.
This edition presents the original music in a clear, printable format, complemented by vivid plates that illustrate key scenes. Editorial notes explain the 1765 text and the modern scene numbering, while subtle corrections ensure a smooth listening experience. Together, the spoken drama and its lively melodies transport listeners straight into the taverns and alleys where the intrigue first unfolds.
Language
en
Duration
~1 hours (112K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Louise Hope
Release date
2008-04-13
Rights
Public domain in the USA.
Subjects

1685–1732
Best known for The Beggar’s Opera, he brought sharp satire, lively storytelling, and a feel for ordinary speech to 18th-century English literature. His work helped shape the ballad opera and still stands out for its wit and social bite.
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