
audiobook
Transcriber’s Note
THE ASTRONOMY OF MILTON’S ‘PARADISE LOST’
THE ASTRONOMY OF MILTON’S ‘PARADISE LOST’ - BY THOMAS N. ORCHARD, M.D. MEMBER OF THE BRITISH ASTRONOMICAL ASSOCIATION
ILLUSTRATIONS - PLATES
PREFACE
THE ASTRONOMY OF MILTON’S ‘PARADISE LOST’
CHAPTER I - A SHORT HISTORICAL SKETCH OF ASTRONOMY
CHAPTER II - ASTRONOMY IN THE SEVENTEENTH CENTURY
CHAPTER III - MILTON’S ASTRONOMICAL KNOWLEDGE
CHAPTER IV - MILTON AND GALILEO
This work invites listeners into a thoughtful exploration of how 17th‑century astronomy shaped the imagery of a famous epic poem. Beginning with a concise history of humanity’s gaze at the heavens, it shows how early astronomers moved from mythic reverence to systematic observation, laying the groundwork for the celestial references that later poets would borrow. The author then surveys the scientific knowledge available in Milton’s own time, highlighting the ways he absorbed contemporary discoveries while still weaving his own mythic vision.
The heart of the book catalogues the specific stars, planets, and cosmic phenomena that appear in the poem, pairing clear explanations with vivid illustrations from the late‑19th‑century scientific community. Readers will discover how descriptions of sun‑spots, nebulae, and lunar phases reflect both the poet’s imagination and the era’s astronomical breakthroughs. By the end of the first act, the listener gains a fresh appreciation for the delicate balance between art and science that animates the poem’s celestial tapestry.
Language
en
Duration
~8 hours (489K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by David Edwards, Nigel Blower and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
2009-03-29
Rights
Public domain in the USA.

Best known for The Astronomy of Milton’s Paradise Lost, this little-known writer brought science and literature together in a way that still feels fresh. His work opens a window onto how readers in the late 19th century connected the night sky with one of English literature’s greatest poems.
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