
Introduction to the Project Gutenberg Edition.
FRONTISPIECE TO THE ORIGINAL EDITION
ADVERTISEMENT TO THE LAST LONDON EDITION.
DEMOCRITUS JUNIOR TO THE READER.
THE SYNOPSIS OF THE FIRST PARTITION.
THE FIRST PARTITION.
THE SYNOPSIS OF THE SECOND PARTITION.
THE SECOND PARTITION. - THE CURE OF MELANCHOLY.
THE SYNOPSIS OF THE THIRD PARTITION.
THE THIRD PARTITION, - LOVE-MELANCHOLY.
A monumental seventeenth‑century exploration of human gloom, this work dissects melancholy in exhaustive detail. Blending philosophy, medicine, and history, it maps every shade of the condition—from humoral imbalances to astrological influences—while cataloguing symptoms, prognoses, and dozens of practical cures. The text is arranged in three major partitions, each broken into sections and subsections that guide the reader through a systematic anatomy of sadness. Throughout, the author sprinkles witty asides and classical quotations, turning a scholarly treatise into a lively conversation.
Its reputation rode the tides of literary history, earning praise from figures like Samuel Johnson and influencing poets such as Milton and Laurence Sterne. The encyclopedic scope, peppered with Latin phrases and obscure references, showcases the era’s thirst for knowledge while retaining a playful, almost satirical tone. Listeners will be treated to a rich tapestry of language that feels both academic and conversational, inviting curiosity about the mind’s darker currents. Though rooted in early modern theory, the observations still echo in today’s discussions of mood and mental health.
Language
en
Duration
~61 hours (3527K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Karl Hagen, D. Moynihan and Distributed Proofreaders
Release date
2004-01-01
Rights
Public domain in the USA.

1577–1640
Best known for The Anatomy of Melancholy, this Oxford scholar turned a study of sadness into one of the strangest and most wide-ranging classics in English prose. His writing mixes medicine, philosophy, humor, and literary quotation in a way that still feels surprisingly modern.
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