
(THE ACTION PASSES IN BOSTON)
I. MR. AND MRS. EDWARD ROBERTS; THE CHOREWOMAN
II. ROBERTS AND WILLIS CAMPBELL
III. THE McILHENYS, ROBERTS, AND CAMPBELL
IV. ROBERTS AND CAMPBELL
V. MRS. ROBERTS, MRS. CAMPBELL, ROBERTS, AND CAMPBELL; THEN THE COOK AND McILHENY
Set in a bustling Boston depot, the play opens with Mrs. Roberts hunting for her husband amid a crowd of shoppers, a chorewoman, and a scattering of idle gentlemen. The scene crackles with rapid, overlapping dialogue as misunderstandings pile up—mistaking hats for heads, misplaced parcels, and a frantic search for a lost bag. The cramped waiting room becomes a stage for slapstick timing, with every character juggling their own petty concerns while the clock ticks toward an imminent train departure.
Through witty repartee and exaggerated gestures, the farce lampoons the everyday anxieties of middle‑class life—shopping mishaps, ticket‑book obsessions, and the absurdity of social etiquette. As Mrs. Roberts hurls instructions at her absent‑minded husband and the chorewoman dutifully mops around their convoluted plans, listeners are drawn into a lively tableau of comic chaos that captures both the charm and the absurdity of a single afternoon at the depot.
Language
en
Duration
~46 minutes (44K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Eric Eldred, and David Widger
Release date
2005-01-01
Rights
Public domain in the USA.
Subjects

1837–1920
A leading voice of American literary realism, he helped shape late 19th-century fiction through his novels, criticism, and editorial work. His writing often brings ordinary social life into sharp, lively focus, with a calm wit that still feels fresh.
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