
(THE ACTION PASSES IN BOSTON)
I. MR. AND MRS. EDWARD ROBERTS; THE CHOREWOMAN
II. ROBERTS AND WILLIS CAMPBELL
III. THE McILHENYS, ROBERTS, AND CAMPBELL
IV. ROBERTS AND CAMPBELL
V. MRS. ROBERTS, MRS. CAMPBELL, ROBERTS, AND CAMPBELL; THEN THE COOK AND McILHENY
Set in a bustling Boston depot, the play opens with Mrs. Roberts hunting for her husband amid a crowd of shoppers, a chorewoman, and a scattering of idle gentlemen. The scene crackles with rapid, overlapping dialogue as misunderstandings pile up—mistaking hats for heads, misplaced parcels, and a frantic search for a lost bag. The cramped waiting room becomes a stage for slapstick timing, with every character juggling their own petty concerns while the clock ticks toward an imminent train departure.
Through witty repartee and exaggerated gestures, the farce lampoons the everyday anxieties of middle‑class life—shopping mishaps, ticket‑book obsessions, and the absurdity of social etiquette. As Mrs. Roberts hurls instructions at her absent‑minded husband and the chorewoman dutifully mops around their convoluted plans, listeners are drawn into a lively tableau of comic chaos that captures both the charm and the absurdity of a single afternoon at the depot.
Language
en
Duration
~46 minutes (44K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Eric Eldred, and David Widger
Release date
2005-01-01
Rights
Public domain in the USA.
Subjects

1837–1920
A leading voice of American literary realism, he helped shape the way everyday life was written into fiction. His stories and criticism made him one of the most influential men of letters in the United States at the turn of the twentieth century.
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