Ten Thousand a-Year. Volume 2.

audiobook

Ten Thousand a-Year. Volume 2.

by Samuel Warren

EN·~15 hours·16 chapters

Chapters

16 total
1

TEN THOUSAND A-YEAR.

0:13
2

CONTENTS TO VOL. II.

2:19
3

CHAPTER I.

56:40
4

CHAPTER II.

53:31
5

CHAPTER III.

53:55
6

CHAPTER IV.

1:25:09
7

CHAPTER V.

1:07:13
8

CHAPTER VI.

1:14:55
9

CHAPTER VII.

1:21:15
10

CHAPTER VIII.

1:40:29

Description

In the wake of a decisive battle, the novel opens amid a lively scramble of commanders, schemers, and opportunists, each eager to shape the new order. The narrative blends sharp legal debate with witty banter, as characters like the meticulous Mr. Subtle and the quick‑witted Lynx dissect a tangled property dispute that could reshape fortunes. Their exchanges, full of clever repartee, set the tone for a story that balances intrigue with a light‑hearted critique of societal ambition.

At the heart of the tale is the unassuming Mr. Titmouse, whose sudden thrust into high society propels him from modest beginnings to the glittering halls of Grosvenor Square. Guided by an eccentric earl and entangled with colorful figures such as the Reverend Dismal Horror and the flamboyant Marquis Gants‑Jaunes, he navigates grand dinners, political councils, and the ever‑present undercurrents of personal ambition. The early chapters promise a captivating mix of humor, courtroom drama, and the restless quest for status in a world still reshaping itself.

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Details

Language

en

Duration

~15 hours (898K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Matthias Grammel, Suzanne Shell and the Online Distributed Proofreading Team at http://www.pgdp.net

Release date

2012-11-09

Rights

Public domain in the USA.

Subjects

About the author

Samuel Warren

Samuel Warren

1807–1877

Best known for the once hugely popular novel Ten Thousand a Year, this Victorian writer moved from studying medicine into law and built a career that mixed fiction, legal writing, and public life. His work often brought drama, ambition, and social satire together in a way that caught a wide 19th-century audience.

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