Ten Thousand a-Year. Volume 1.

audiobook

Ten Thousand a-Year. Volume 1.

by Samuel Warren

EN·~15 hours·20 chapters

Chapters

20 total
1

BOSTON: LITTLE, BROWN, AND COMPANY. 1900.

0:10
2

University Press: John Wilson and Son, Cambridge.

0:14
3

TRANSCRIBER'S NOTES

0:36
4

PUBLISHERS' PREFACE.

0:50
5

PREFACE TO THE FIRST EDITION.

2:30
6

CONTENTS TO VOL. I.

2:45
7

CHAPTER I.

1:23:51
8

CHAPTER II.

1:23:33
9

CHAPTER III.

1:22:00
10

CHAPTER IV.

1:19:35

Description

An unexpected bequest throws a modest clerk into a world of sudden wealth, offering a glimpse of Victorian society's entanglements of law, ambition, and personal honor. As he learns that the income of ten thousand a year is bound by intricate conditions, he must navigate demanding landlords, shrewd solicitors, and the expectations of family and friends. The opening chapters blend witty observation with earnest moral questioning, setting a tone that is both thoughtful and lightly satirical.

Among the colourful cast—an ambitious solicitor, a cynical landlord, and a loyal confidante—the protagonist confronts dilemmas that test his integrity and reshape his aspirations. Early confrontations reveal the tension between legal rigor and human compassion, inviting listeners to consider how wealth can both empower and entrap. By the end of the first act, the story establishes a compelling stage for further twists, while keeping the focus on character development and the subtle critique of early‑19th‑century values.

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Details

Language

en

Duration

~15 hours (915K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by David Cortesi, Suzanne Shell and the Online Distributed Proofreading Team at http://www.pgdp.net

Release date

2010-01-17

Rights

Public domain in the USA.

Subjects

About the author

Samuel Warren

Samuel Warren

1807–1877

Best known for the once hugely popular novel Ten Thousand a Year, this Victorian writer moved from studying medicine into law and built a career that mixed fiction, legal writing, and public life. His work often brought drama, ambition, and social satire together in a way that caught a wide 19th-century audience.

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