Style in Singing

audiobook

Style in Singing

by W. E. Haslam

EN·~2 hours·11 chapters

Chapters

11 total
1

Transcriber’s Note: This e-text contains musical symbols, which may appear as boxes in some browsers. Hover the mouse over the box for a pop-up text explanation of the symbol, e.g., G ♯.

0:16
2

PREFATORY NOTE

1:09
3

INTRODUCTION

2:06
4

STYLE IN SINGING

0:01
5

CHAPTER I Elements of Vocal Training

8:18
6

CHAPTER II The Value of Technique

6:35
7

CHAPTER III Analysis of Style

33:06
8

CHAPTER IV Tradition

53:16
9

CHAPTER V Répertoire

10:19
10

CHAPTER VI Conclusion

10:36

Description

A concise guide for singers, this early‑20th‑century work explores why great vocalists create such consistent, powerful impressions. Drawing on observations of legends like Patti and Kubelik, the author argues that behind every breathtaking phrase lies a set of immutable principles rather than mere intuition. Readers are introduced to the four pillars of vocal training—pose, technique, style, and repertoire—and learn how each must be balanced before a singer can truly shine.

The first chapter breaks down the mechanics of voice emission, warning that natural talent alone can mask harmful habits that quickly wear out the instrument. Clear explanations and practical examples illustrate how posture, breath control, and disciplined technique protect the voice while laying the groundwork for expressive artistry. Listeners will come away with a solid foundation for developing both the technical and aesthetic aspects of singing, ready to apply these time‑tested methods to their own practice.

Collections

Browse all

Details

Language

en

Duration

~2 hours (122K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by David Newman, Chuck Greif, Linda Cantoni, and the Online Distributed Proofreading Team at http://www.pgdp.net

Release date

2007-05-09

Rights

Public domain in the USA.

About the author

WE

W. E. Haslam

A thoughtful early-20th-century voice teacher, this author wrote about singing as both craft and interpretation. His best-known book brings together practical technique and a strong belief that style is central to expressive performance.

View all books

You may also like