Since Cézanne

audiobook

Since Cézanne

by Clive Bell

EN·~5 hours·26 chapters

Chapters

26 total
1

CÉZANNE - (Photo: E. Druet)

0:01
2

SINCE CÉZANNE - BY - CLIVE BELL

0:49
3

ILLUSTRATIONS

0:07
4

SEURAT - (Photo: E. Druet)

0:01
5

SINCE CÉZANNE

1:19:57
6

MATISSE - (Photo: E. Druet)\]

0:02
7

CÉZANNE

12:05
8

RENOIR

10:58
9

TRADITION & MOVEMENTS

12:28
10

PICASSO - (Collection Paul Rosenberg)

10:37

Description

In this compact yet richly textured collection, the author maps the seismic shift in early‑twentieth‑century painting that followed Paul Cézanne’s radical re‑thinking of form and perception. Through a series of lively essays, he shows how the painter’s challenge to conventional representation sparked a fevered debate among artists and critics about the very definition of art. The opening sections trace how theory—once a dominant force in Parisian circles—interwove with individual temperaments, setting the stage for a generation to ask, “What am I doing, and why?”

From the lyrical brushwork of Renoir to the daring abstractions of Matisse and Picasso, each chapter offers concise portraits that balance scholarly insight with vivid anecdote. Readers are invited to listen to the author’s thoughtful probes into topics ranging from the politics of artistic authority to the unexpected resonance of naïve painters like Rousseau. The result is a panoramic yet intimate guide that illuminates how a single artist’s legacy can reshape an entire era, making the conversation as relevant today as it was when the essays first appeared.

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Details

Language

en

Duration

~5 hours (309K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Suzanne Shell, Renald Levesque and the Online Distributed Proofreading Team.

Release date

2004-09-07

Rights

Public domain in the USA.

About the author

Clive Bell

Clive Bell

1881–1964

An influential English art critic and a central figure in the Bloomsbury Group, he helped shape early 20th-century debates about modern painting. He is especially remembered for the idea of “significant form,” which became one of the best-known theories in modern art criticism.

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