Short Story-Writing: An Art or a Trade?

audiobook

Short Story-Writing: An Art or a Trade?

by N. Bryllion (Nathan Bryllion) Fagin

EN·~3 hours·12 chapters

Chapters

12 total

Transcriber’s note

0:12

SHORT STORY WRITING: An Art or a Trade?

0:25

CHAPTER I Overture

14:52

CHAPTER II Action

24:20

CHAPTER III “O. Henryism”

26:12

CHAPTER IV The Moving Pictures

27:15

CHAPTER V Verboten

47:32

CHAPTER VI The Artificial Ending

18:47

CHAPTER VII Form and Substance

15:16

CHAPTER VIII Finale

8:41

Description

A contemplative voice opens the book with a twilight walk that blurs ordinary streets into a chorus of unseen stories, framing the central question: is short‑story writing an art or a trade? The narrator, a long‑time professor of creative writing, uses that mood to examine the power a teacher holds over budding narratives—encouraging some, tempering others, and ultimately shaping what reaches the public.

Beyond the lyrical overture, the text delves into the practical realities of turning imagination into marketable prose. It weighs the promise that “writers are made, not born” against the demands of a commercial market, sharing anecdotes about students, publishing pressures, and the uneasy balance between creative freedom and financial necessity. Listeners will find a thoughtful blend of philosophy, pedagogy, and candid insight into the craft’s double‑edged nature.

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Details

Language

en

Duration

~3 hours (186K characters)

Publisher of text edition

Project Gutenberg

Original publisher

United States: Thomas Seltzer, Inc.,1923.

Credits

Charlene Taylor, Eleni Christofaki and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)

Release date

Oct 23, 2021

Rights

Public domain in the USA.

About the author

NB

N. Bryllion (Nathan Bryllion) Fagin

1892–1971

A Russian-born scholar, teacher, and critic, he wrote with equal interest in storytelling, American literature, and the theater. His work bridges practical advice for writers with thoughtful studies of authors such as Eugene O’Neill and Edgar Allan Poe.

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