
audiobook
by D. Ph. van Vloten Elderinck
De Sexueele Zeden in Woord en Beeld - Door D. Ph. Van Vloten Elderinck. Met 94 afbeeldingen in den tekst en 39 losse platen. - Liefde en Zinnelijkheid.
Gebr. Graauw, Amsterdam—Haarlem—Weltevreden N. O. I.
Voorwoord.
Inhoud.
I. Liefde.
II. Zinnelijkheid.
III. Mannelijke en Vrouwelijke Zinnelijkheid.
IV. Schoonheids-Idealen.
V. Schaamte.
VI. De Toenadering der Sexen.
This volume offers a thoughtful survey of humanity’s relationship with love and sensuality, weaving together literary excerpts, scientific observations, and visual art from antiquity to the Renaissance. Readers are guided through ancient Egyptian frescoes, Greek vase paintings, and masterworks by Rubens, Reni and Titian, each accompanied by scholarly commentary that highlights both aesthetic beauty and cultural context. By pairing archival texts with vivid reproductions, the author reveals how concepts of desire and modesty have shifted across centuries, inviting listeners to reflect on the enduring tension between instinct and morality.
The work is organized into thematic chapters—ranging from the ideal of pure love to the role of the senses, clothing, and modesty—allowing a nuanced exploration without descending into salaciousness. Throughout, the narrative maintains a reverent tone, treating sexuality as a facet of civilization’s broader artistic and philosophical development. Listeners will come away with a richer appreciation of how visual and verbal expressions have shaped, and been shaped by, the ever‑changing moral landscape.
Language
nl
Duration
~6 hours (378K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Jeroen Hellingman and the Online Distributed Proofreading Team at http://www.pgdp.net/
Release date
Oct 29, 2007
Rights
Public domain in the USA.

Known for early Dutch books that explored love, sensuality, and sexual customs, this writer approached taboo subjects with a mix of curiosity and popular appeal. Little biographical information is easy to confirm today, which makes the surviving works themselves the clearest window into the author.
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