
audiobook
SCIENTIFIC AMERICAN SUPPLEMENT NO. 358 - NEW YORK, NOVEMBER 11, 1882 - Scientific American Supplement. Vol. XIV, No. 358. - Scientific American established 1845 - Scientific American Supplement, $5 a year. - Scientific American and Supplement, $7 a year.
THE NEW PARLIAMENT BUILDING, BERLIN.
THE BRITISH SANITARY CONGRESS. - ADDRESS OF PRESIDENT GALTON.
PSYCHOLOGICAL DEVELOPMENT IN CHILDREN.
THE RACIAL CHARACTERISTICS OF MAN.
ECCENTRICITY AND IDIOSYNCRASY.
PYORRHEA ALVEOLARIS.
SULPHUR AS A PRESERVATIVE AGAINST MARSH FEVER.
HYDRAULIC FILTERING PRESS FOR TREATING OLEAGINOUS SEEDS.
LAURENT & COLLOT'S AUTOMATIC INJECTION PUMP.
A snapshot of late‑Victorian ingenuity, this 1882 supplement gathers the era’s most practical breakthroughs. Readers encounter a hydraulic filtering press for extracting oil from seeds, a compact automatic injection pump, and a one‑ton bucket dredge that promises easier river work. Photographers will find a fresh method for preparing silver‑bromide gelatine emulsions, while chemists can explore new freezing microtomes and an ice‑machine that produces methyl‑chloride coolant. Each article is illustrated with clear diagrams, making the mechanics easy to follow.
Beyond the workshop, the issue turns to public health, architecture, and astronomy. A detailed account of the British Sanitary Congress features Sir Galton’s call for cleaner cities, and a vivid comparison of competing designs for Berlin’s new parliament building highlights the clash of artistic vision and civic function. An essay on determining the Sun’s distance offers a glimpse into contemporary celestial measurement, rounding out a diverse collection that reflects both the inventive spirit and the growing social consciousness of the time.
Language
en
Duration
~3 hours (227K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Olaf Voss, Don Kretz, Juliet Sutherland, Charles Franks and the Online Distributed Proofreaders Team
Release date
2005-07-01
Rights
Public domain in the USA.
Subjects
A shared credit used for collections, anthologies, and recordings that bring together work by more than one writer. It usually signals a mix of voices, styles, or selections rather than a single authorial biography.
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