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SCIENTIFIC AMERICAN SUPPLEMENT NO. 344 - NEW YORK, August 5, 1882 - Scientific American Supplement. Vol. XIV, No. 344. - Scientific American established 1845 - Scientific American Supplement, $5 a year. - Scientific American and Supplement, $7 a year.
METAMORPHOSIS OF THE DEER'S ANTLERS.
MONKEYS. - By ALFRED R. WALLACE.
SILK-PRODUCING BOMBYCES AND OTHER LEPIDOPTERA REARED IN 1881. - By ALFRED WAILLY, Membre Lauréat de la Société d'Acclimatation de France.
MOSQUITO OIL.
THE CATHEDRAL OF BURGOS.
THE PANAMA CANAL. - By MANUEL EISSLER, M.E., of San Francisco, Cal. - I. - HISTORICAL NOTES.
IMPROVED AVERAGING MACHINE.
COMPOUND BEAM ENGINE.
Step into an era when curiosity drove invention and observation alike. This collection gathers vivid accounts of the Panama Canal’s early ambitions, ingenious improvements in steam engines, and striking diagrams of new textile machinery. Readers will hear the clang of power hammers and the hum of advancing railways, all described with the clarity of late‑19th‑century engineers.
Natural history comes alive through detailed sketches of a deer shedding its antlers, vivid comparisons of monkey skeletons, and a thorough survey of silk‑producing insects. The pages also guide the modern explorer to mineral treasures just a short ride from New York, teaching simple methods for finding and testing crystals while showcasing the glitter of calcite, natrolite, and more.
The supplement rounds out its scholarly tour with a glimpse of Burgos Cathedral’s soaring architecture, a practical note on finding true meridians, and spirited commentary on the era’s electric experiments. Together, these articles offer listeners a rich snapshot of scientific thought and discovery at the height of the industrial age.
Language
en
Duration
~4 hours (247K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Olaf Voss, Don Kretz, Juliet Sutherland, Charles Franks and the Distributed Proofreaders Team
Release date
2005-08-01
Rights
Public domain in the USA.
Subjects
This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.
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