
Novels of Paul de Kock, Volumes III and IVSans-Cravate:Volume I: I, II, III, IV, V, VI, VII, VIII, IX, X, XI, XII, XIII, XIV, XV, XVI, XVII, XVIII, XIX, XX, XXI,Volume II: XXIII, XXIV, XXV, XXVI, XXVII, XXVIII, XXIX,Little Streams:I, II, III, IV, V, VI, VII, VIII, IX, X, XI, XII, XIII, XIV, XV, XVI, XVII, XVIII, XIX,
NOVELS BY Paul de Kock VOLUME III SANS-CRAVATE; OR, THE MESSENGERS VOL. I
SANS-CRAVATE; OR, THE MESSENGERS
I THE IDLERS.—BOULEVARD DES ITALIENS
II THE FLOWER GIRL
III THE MESSENGERS
IV DIVERS COMMISSIONS
V CLOSER ACQUAINTANCE
VI A STAG DINNER PARTY
VII MADAME PLAYS.—THE SHOWMEN
On a breezy evening along Paris’s famed Boulevard des Italiens, three dapper young men saunter arm‑in‑arm, eyes flicking from one stylish passerby to the next. Their chatter is a lively mix of witty banter, flirtatious remarks, and half‑hearted observations about the latest ballet, a new opera, and the glittering society parties that dominate the street. The boulevard itself throbs with the restless energy of a city where aristocrats, merchants, and aspiring artists mingle under a backdrop of ever‑changing names that echo the nation’s turbulent history.
Amid the laughter, a sudden clash erupts in a nearby wine shop: a fierce woman named Bastringuette snaps a plate into the air, aiming it menacingly at the mysterious Sans‑Cravate. The tension crackles, hinting at hidden agendas and secret messengers weaving through the glittering nightlife. As the evening’s convivial chatter gives way to unease, listeners are drawn into a world where charm masks intrigue, and every casual encounter might conceal a deeper plot.
Language
en
Duration
~18 hours (1066K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive)
Release date
2011-11-12
Rights
Public domain in the USA.

1793–1871
A hugely popular storyteller in 19th-century Europe, he filled his novels with lively scenes of everyday Paris and a strong taste for comedy. His books may have divided critics, but readers kept returning for their energy, humor, and street-level view of city life.
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