
audiobook
*Transcriber's Notes:* Obvious printer errors have been corrected without note.
RENAISSANCE IN ITALY - ITALIAN LITERATURE - In Two Parts - BY JOHN ADDINGTON SYMONDS
PREFACE.
CONTENTS OF THE FIRST PART.
RENAISSANCE IN ITALY.
CHAPTER I. - THE ORIGINS.
CHAPTER II. - THE TRIUMVIRATE.
CHAPTER III. - THE TRANSITION.
CHAPTER IV. - POPULAR SECULAR POETRY.
CHAPTER V. - POPULAR RELIGIOUS POETRY.
The work offers a focused investigation of Italy’s Renaissance through the prism of its literature, treating the arts, politics and learning as stepping‑stones toward a deeper appreciation of the written word. Its author structures the study like a series of analytical essays, with each chapter acting as a concise paragraph that builds a clear picture of how social conditions, the revival of classical learning, and a passion for visual art converged to shape poetic and prose traditions. Readers are invited to follow this logical progression, which prepares the ground for a detailed examination of the national literature in its full complexity.
Drawing on the most recent Italian scholarship, the volume presents a fresh, evidence‑based view of the period, highlighting the contributions of native critics and historians who are reshaping our understanding of the era. The author emphasizes literature as the most reliable gauge of a people’s character at a decisive moment, using it to illuminate the strengths and limits of the Renaissance spirit. This approach makes the book a valuable companion for anyone wishing to explore how Italy’s cultural rebirth was expressed and preserved in its words.
Full title
Renaissance in Italy, Volume 4 (of 7) Italian Literature, Part 1 Italian Literature, Part 1
Language
en
Duration
~16 hours (954K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Ted Garvin, Linda Cantoni, and the Online Distributed Proofreading Team at https://www.pgdp.net
Release date
Apr 8, 2011
Rights
Public domain in the USA.

1840–1893
A vivid Victorian critic and man of letters, remembered above all for his sweeping studies of the Italian Renaissance. His work also matters for its early, unusually candid writing about same-sex love and the history of sexuality.
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