
QUEEN MARY and HAROLD - By Alfred Lord Tennyson, Poet Laureate
QUEEN MARY: A DRAMA.
HAROLD: A DRAMA.
The drama opens on a riotous Aldgate, where crowds of merchants, soldiers and old men argue fiercely over the legitimacy of a new queen. Their heated banter about bastardy and parliament’s power sets a raw, street‑level backdrop before the triumphant procession of Mary and her rival Elizabeth rides past. Tennyson’s verse captures the clang of trumpets, the thrum of public fear, and the uneasy loyalty that ripples through the city.
Inside the palace, a chorus of powerful figures—cardinals, ambassadors, and stern bishops—converge, each nursing their own schemes for the throne. The playwright weaves religious tension with political ambition, hinting at looming conspiracies that could tear England apart. Listeners are drawn into a world of eloquent dialogue and looming danger, where loyalty is tested and the very definition of “legitimate” hangs in the balance.
Language
en
Duration
~6 hours (354K characters)
Publisher of text edition
Project Gutenberg
Credits
Etext produced by Jonathan Ingram, Tapio Riikonen and Distributed Proofreaders HTML file produced by David Widger
Release date
2005-10-01
Rights
Public domain in the USA.

1809–1892
A defining voice of Victorian poetry, he paired musical language with big human questions about grief, doubt, heroism, and change. Best known for works such as In Memoriam A.H.H., "Ulysses," and Idylls of the King, he remained widely read throughout his lifetime and beyond.
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by Baron Alfred Tennyson Tennyson

by Baron Alfred Tennyson Tennyson

by Baron Alfred Tennyson Tennyson

by Baron Alfred Tennyson Tennyson

by Baron Alfred Tennyson Tennyson

by Baron Alfred Tennyson Tennyson

by Baron Alfred Tennyson Tennyson

by Baron Alfred Tennyson Tennyson