
QUEEN MARY and HAROLD - By Alfred Lord Tennyson, Poet Laureate
QUEEN MARY: A DRAMA.
HAROLD: A DRAMA.
The drama opens on a riotous Aldgate, where crowds of merchants, soldiers and old men argue fiercely over the legitimacy of a new queen. Their heated banter about bastardy and parliament’s power sets a raw, street‑level backdrop before the triumphant procession of Mary and her rival Elizabeth rides past. Tennyson’s verse captures the clang of trumpets, the thrum of public fear, and the uneasy loyalty that ripples through the city.
Inside the palace, a chorus of powerful figures—cardinals, ambassadors, and stern bishops—converge, each nursing their own schemes for the throne. The playwright weaves religious tension with political ambition, hinting at looming conspiracies that could tear England apart. Listeners are drawn into a world of eloquent dialogue and looming danger, where loyalty is tested and the very definition of “legitimate” hangs in the balance.
Language
en
Duration
~6 hours (354K characters)
Publisher of text edition
Project Gutenberg
Credits
Etext produced by Jonathan Ingram, Tapio Riikonen and Distributed Proofreaders HTML file produced by David Widger
Release date
2005-10-01
Rights
Public domain in the USA.

1809–1892
Best known as the great poetic voice of Victorian Britain, he paired musical language with big questions about grief, faith, heroism, and time. His poems include enduring favorites such as "Ulysses," "The Lady of Shalott," and "In Memoriam A.H.H."
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by Baron Alfred Tennyson Tennyson

by Baron Alfred Tennyson Tennyson

by Baron Alfred Tennyson Tennyson

by Baron Alfred Tennyson Tennyson

by Baron Alfred Tennyson Tennyson

by Baron Alfred Tennyson Tennyson

by Baron Alfred Tennyson Tennyson

by Baron Alfred Tennyson Tennyson