
Punchinello, Vol.1, No. 12, June 18,1870
THE MYSTERY OF MR. E. DROOD. - AN ADAPTATION. - BY ORPHEUS C. KERR.
THE JOYS OF SUMMER.
ANSWERS TO CORRESPONDENTS.
THE PLAYS AND SHOWS.
Taking the Chances.
ASSOCIATED PRESS TELEGRAMS.
COMIC ZOOLOGY.
CONDENSED CONGRESS. - SENATE.
FURTHER OF MYTHOLOGY.
In a sleepy, oddly scented town called Bumsteadville, the old Alms‑House has been repurposed as the Macassar Female College, a stern boarding school presided over by the austere Miss Carowthers. The cracked stone walls and lingering smell of ancient burial grounds give the place a timeless, almost theatrical quality that feels both uncomfortable and oddly inviting. Miss Carowthers runs the school with a rigid mix of propriety and secret whimsy, swapping her severe daytime attire for a breezier dress each night, hinting at a life lived in careful contradiction.
Enter Flora Potts, the school’s “Flowerpot,” who has just learned that an arranged marriage to the enigmatic Mr. Edwin Drood has been set by her late father’s will. She meets Drood with a blend of sharp sarcasm and nervous bravado, pleading for a “habeas corpus” to halt the unwanted union while still battling the expectations of society. Their tense, witty exchange sets the stage for a clash of wills that feels both comic and oddly tender.
Behind the banter, a lingering mystery surrounds Mr. Drood himself—rumors of past promises broken and a shadowy past that may soon surface. Listeners are invited to follow Flora’s reluctant courtship, Miss Carowthers’s secretive maneuvers, and the curious secrets of Bumsteadville, all wrapped in a delightfully Victorian sense of humor and intrigue.
Language
en
Duration
~1 hours (63K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Cornell University, Joshua Hutchinson, David Widger and PG Distributed Proofreaders
Release date
2006-01-01
Rights
Public domain in the USA.
This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.
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